Do you write a story to express yourself, or does a story express itself through your writing? Many the creative soul has spoken of being moved to make things in a particular way, following the inspiration of external sources, inventing something that they did not fully understand when they began the work. Sometimes they still didn’t understand it after it was done. This creates a sense of creations that exist apart from their creator.
Michelangelo famously declared that he did not create anything in his sculptures, he only removed the excess stone until the already-existing figure was exposed for everyone to see. Thus, in a sense, even before Michelangelo did his work, the sculpture was already in there, still totally real, even if momentarily hidden.
Many authors also speak of their stories having “wants” like that of an actual person. You might start the scene where the the hero overcomes his flaws and comes to the rescue, but when you try to put together the words they just feel forced and ill-fitting. You come to realize that redemption doesn’t fit the character as written, it isn’t the arc that he wants to follow. He wants to take you somewhere else.
At Odds With Your Character)
This might present a problem, though, because where your character does want to go might not be very useful for the work as a whole. Perhaps it gives them a truer expression, but as a side-effect leaves your story without any cathartic resolution.
So what do you do? Force them back into the bottle? Make them go through that redemptive arc, even though it feels hollow? Try to add seeds of remorse for them in earlier scenes, knowing full well that they might feel awkwardly tacked on? I don’t know about you, but I believe I’ve read and watched many stories that did exactly this. Characters are developed in interesting ways, with very real personalities and interesting needs. And then, suddenly, all of that gets cast aside as the “story” robs them of their development, so that it can tack on a totally cliché ending.
On the other hand, I’ve also seen stories that indulge in their characters long past my point of caring. If a character is very strong, then it might be well worth following them wherever they might go, but honestly, most story characters are only serviceable to a point. I have dropped off of many television series when they seemed to forget their initial premise and instead became the “main character variety hour.”
A Question of Time)
One of the most common causes I have seen for mangling the desires of a story or the desires of a character is when the work is being shoehorned into a scope that does not fit it. For example, truly interesting characters take time to fully develop. When they are part of a film that is mandated to run for two hours and no more, then all too often character development gets cut short and leaves too many things unsaid.
On the other hand, an ensemble of one-dimensional characters is excellent for developing a tight, focused narrative that delivers on a single idea, and then bows out before it can overstay its welcome. But when this platform is dragged out in a long-running television series, the original focus has to become blurred into many pointless subplots, uninteresting character dives, and drama for pure drama’s sake.
A Sharp Focus)
So how do I approach this matter in my own stories? Well it depends on the format.
For example, I am working on a novel that I want to be a particular length (80,000 to 120,000 words), deliver a single moral at its end, feature only a select few themes on the side, and close out without any loose threads whatsoever.
Given how tight and focused I want this work to be, I didn’t write a single word of my first draft until I had my characters and settings hammered out thoroughly. Early drafts saw a cast of dozens, which I realized meant either I would bloat my story out much further than intended, or else I would have to cut off some threads prematurely. Instead I scrapped that setup and brought it down to a total of four characters.
Some of those characters were too shallow in their original design, and I realized they wouldn’t remain interesting for the duration of the tale. Others were too complex, which meant they might become more interesting than the final, central message, which was intended to be greater than any single individual. Thus I redistributed character qualities, taking complexity from the ones that were too sharply defined, and giving them to the ones that were softer.
And only after I had all of my characters fully established, and in harmony with the scope or the overall tale, did I start to actually write my first draft. Undoubtedly some possible diversions were lost in managing them so closely, but that’s alright. I didn’t want diversions. I want this story to be what I want it to be, and I will do my more freeform experimentation elsewhere.
Specifically, I will do it here. One of the main points of this blog has always been to invent characters and situations that are as imaginative and complicated as I please, and then turn them loose to see what comes of it. Sometimes the well runs dry very quickly, and I don’t try to artificially extend things. Sometimes it keeps going on, week after week, because the story refuses to be wrapped up quickly. That’s fine, too.
As it turns out, my most recent story falls firmly into that last camp. When I first conceived of Raise the Black Sun, I figured it would run for about 4,000 words, maybe 6,000. It has now passed 10,000, and still going strong. The reason for this is because I come into each of these short stories with only a loose outline, and then let the work roam freely between each checkpoint.
And yes, sometimes they roam outside of their boundaries, in which case I change the plot to accommodate where they want to go instead. It is incredibly indulgent, and that’s entirely the point. Being able to cut loose like this once in a while has led me to some very promising discoveries, and I will always want this outlet in some form or another.
Admittedly, this does run the risk of alienating readers with its indulgence, and while I hope people aren’t bored with how long some of these stories have run, I do acknowledge that that is entirely a possibility. Let’s just say that there’s a reason why I make this stuff available to you free of charge and without any advertisements!
(Actually, if you subscribe to my blog, please let me know if there are advertisements at the bottom of the emails that come whenever I make a new post. There shouldn’t be, but I haven’t been able to verify whether that is the case.)
Anyway, if you are not sick yet of my ambling through Raise the Black Sun, feel free to come see what new forays await us on Thursday! And if you are sick of Raise the Black Sun, don’t worry, I’m sure I’ll have it wrapped up in another post or two.
Three at the most.