There is a video game called Shadow of the Colossus, in which the main character has trespassed onto forbidden lands and seeks the aid of a disembodied demon. He presents a young woman who has been sacrificed and pleads for her soul to be returned to her body. He is told that his wish may be granted…but only if he is able to defeat sixteen colossi in battle, each of which is scattered across the land. A very dangerous undertaking to be sure, but one that he will gladly face to save her.
And so he goes out, toppling one giant monstrosity after another. And at the conclusion of each battle he falls unconscious, only to awaken back at the hall where he has laid the young woman’s body on an altar. Each time he awakens the exact same ritual commences: the statue representing the most-recently-dispatched colossus bursts into pieces, the disembodied voice tells him where he must go to face his next quarry, and the boy sets off to fulfill the task. It a scene very reminiscent of Hercules returning to King Mycenae after each of his labors to receive the next piece of his penance.
Over and over the pattern repeats in Shadow of the Colossus. Each chapter is book-ended by this same return to the hall and altar. You become very familiar with this place, and in its repetition it starts to become personally meaningful. The cavernous chamber, the flowing staircase, the never-ending bridge…without even trying to one starts memorize every little detail. This place starts to feel like home.
In a game otherwise filled with danger and tragedy this is a most welcome respite. Each new challenge features new settings, new dangers, new puzzles. They can become quite taxing and fraught with frustration. But that’s alright, because each of them is also set apart from the others by this singular moment of reprieve. Like Hercules, each new task may be a novel and difficult experience, but the hero is able to feel safe and comfortable for a brief while before trekking out once more.
A Shortcut to Pacing)
Even the most exciting of stories needs moments of calm. A story that is only made up of intense action will soon fail to have any impact, it will lose its voice within its own noise. There has to be variety, there has to be escalation and de-escalation.
And returning to a familiar setting is one of the quickest ways to bring the tempo back to a calm state. Soothing background music can help, soft voices can help, warm colors can help…but the best thing of all to calm the audience’s nerves is to put them in walls that are well-known and safe. Like in Shadow of the Colossus, you want them to have a place that just feels like home.
And one medium that is especially able to make a place feel familiar and safe is the television show. By having episodes strewn over a period of years, developers have great opportunity to repeat settings until they are second-nature to us. And when one of those familiar places is reserved for scenes that are always calm and happy, then the viewer starts to feel better just by being there.
And so in Star Trek: The Next Generation a favorite haunt is Ten-Forward, the futuristic bar where characters come to share a drink and a little bit of gossip. Other places on the ship are often subject to laser blasts and torpedoes, but Ten-Forward, by contrast, is usually the setting where characters only come after all the chaos is past. It is a place for quietly reminiscing, for exploring relationships, for casual words.
Episodes of MASH might be fraught with wartime violence, overbearing stress, and the looming specter of death…but regularly the cast will come back together for a friendly game of Poker in Hawkeye’s tent. No matter how chaotic things are elsewhere, the Poker night immediately resets the tone to something calm and safe.
Every episode of the old Mission: Impossible series is fraught with spies, deception, and danger. But each episode also begins in a calm apartment where the team methodically plan out their disguises and test their equipment. It is only a brief segment in each episode, but it always allows the audience to settle into the plot from a familiar setting.
A Shifted Perspective)
However, regularly returning to a familiar scene does not only have to be used to reset the audience’s emotions. Sometimes returning to an old haunt can actually be used to illustrate just how different the characters within it have become. Yes the setting is familiar, but the spirit of it feels entirely new.
Consider the example of Ebenezer Scrooge’s bedroom in A Christmas Carol. Throughout the tale Ebenezer keeps leaving and returning to this place, and each time the room is completely the same as before. And it is that sameness that makes his own personal change stand out in stark relief.
We are first introduced to it when he comes home from a long day of work, sets the many locks on its door, and takes a supper of gruel in the dark. It is a mean and meager place, thrifty to the point of oppressiveness, and it is in perfect harmony with the man that lives in it.
Then the visitations from the spirits begin, and Christmas Past takes Ebenezer down a painful walk of his own memories. We see his life laced with one regret after another, until he refuses to continue the journey any further, and forcibly returns back to his bedroom. He is filled with deep relief to be back home, and suddenly we see the room how he sees it: not meager and dark, but close and safe. In its confinement he feels secure. It is his fort to keep out all the outside world, and all the pain of his past. For the first time, we pity him.
Next comes the visit of Christmas Present, who shows him how much more mirth and love is occurring outside of these walls on Christmas day. Scrooge finally starts to long for more, and the dankness of his hovel is emphasized even more than before.
Finally Christmas Future comes, and of all the places that he could show Ebenezer, he shows him the future version of this very same bedroom. It is the room, after Ebenezer has died.
This is the only time the room actually changes, and we are shocked to find that it is able to become even more bleak than before, with bed curtains stolen and a single sheet laid over a solitary, lonely corpse.
And then, after that moment of absolute darkness, we return to the room once more as it is today, and by contrast it now seems a place of life and hope. In fact the sun is raising, and the windows are thrown open to let that light in. Ebenezer is still alive, and he still has a chance to make this room a place of joy.
A single, solitary room, a room that does cannot speak a single word of dialogue. Yet so much is said in the many different ways we behold it.
I am trying my hand at writing a single location that returns multiple times in The Favored Son. The centrifuge has been visited twice already, and each time under very different contexts. The first time is at the very beginning, when things are still relatively calm and carefree. The youth are quibbling about leadership, but there aren’t any serious stakes at play.
The second visitation takes place after the youth have been attacked and retreated to the centrifuge for safety. Suddenly its annoying complexities become securities. It is a place of safety, a place that feels an essential to survival. Again the students are conflicted about questions of leadership, but there is a desperate urgency to it now.
There is a third visit to the centrifuge yet to come, and this one will occur when the students are in a place of utter defeat. The brokenness of the place’s columns should carry a significance then that was never felt before. The question of leadership will finally be put to rest. It will be a scene of old ideas and hopes being laid to rest as well, while a bleaker dawn arises.
Before we get to that, though, we’ve got to actually have the youth be broken. I’ll be getting into that with my next post on Thursday. As you read that entry, consider how I am setting things up to make the next visit to the centrifuge feel fundamentally different than any time before.
Less than a week after I found Pete I found these keys. To be clear, I’m not always looking for trouble… but I will acknowledge it anytime it comes to me on its own. I’m just finishing up with my run, twelve laps around the local park, when I see something glinting at me from one of the benches. It’s keys: a ring with about three on them. House. Car. Something else, too.
I ignore them, continuing my jog as I turn this fact over in my mind. On the surface nothing immediate presents itself, but there’s no denying that there is a power here. What can be done with that, though? It’s just a set of random keys. Finding anything that they unlocked would be like looking for a needle in a haystack.
Even as I’m thinking that thought another part of my mind is pointing out that this is a small and local park. Pretty much no one ever drives here, they walk. Whoever left these is almost definitely local. Sure, there’s a couple hundred homes in the surrounding neighborhood, but already the haystack is getting smaller.
And while that thought is finishing its course my eyes are already roving. How many people are here right now? A young couple there…man and his dog there…that’s it. Doubtful the keys belong to any of them, if so they would have kept them pocketed while out on the lawn, not laying out on a bench. The sun is setting and all of them will be leaving soon. The place will be vacant.
Oh right, the sun is setting… so people will be going to sleep. That means the owner is probably already back home. They somehow got back in their house without realizing they had lost the keys? Could be. If a couple had come together, each with their own set of keys, then they might not notice if only one set disappeared. People get distracted by all sorts of things. Or maybe the went back into the house through the garage instead of the front door. Or maybe they have noticed the missing keys and are searching for them, but they visited too many places today and aren’t sure exactly where they left them. In any case, after a certain hour no one will be looking for these…
But again, what would I do with them? A hundred homes is still a lot. The car key will probably have a logo on it. If I know that I’m looking for a Honda or a Toyota I can start reducing candidates. Unless the car is in its garage…
Wait a second. Was it just a key, or a fob? I decide to run one more lap, all to once more jog past the keys. I come up to them and surreptitiously glance at them out of the corner of my eye. Fob! That’s definitely a key fob! And that means it has a lock button, and that means pressing it within a certain radius of its matching car results in it giving a little toot.
If my mind was racing before it’s full-on sprinting now.
What on earth are you going on about? I ask myself. You can’t break into a house!
Of course not, this is just a thought experiment, I protest. I just want to know what would be possible.
What would be possible?
Find the house, setup a camera watching the front door and garage, learn their comings and goings, enter when the house is vacant.
Stop! You’d be caught. You’d get arrested.
This is all just theory, remember? But you’re right, in this theory I would need some latex gloves, a hoodie and a mask. Also you would need to check for a doorbell camera.
The voice of reason insists that we’re going to too dangerous of places and need to leave. I peel away from the park and head for home. It doesn’t matter where I go physically, though, because my mind is still firmly back there. From my apartment I happen to have a great view of that park and I find myself constantly returning to my window, checking to see if anyone is going to retrieve the keys. No one ever comes.
During my restless pacing the sun completely sets. It’s night. People will be going to bed before long. I open my laptop and try to do some work, but after rereading the same email six times without paying it any attention I open a few new tabs on my browser.
I mean, are there even any cameras that could run all day on battery and remain inconspicuous?
In case you were wondering, turns out it is feasible, and there’s even a some options just waiting for me at a few of the local stores.
I get up, grab my keys, and head out into the night. I wouldn’t say that I have made a decision, more so I just stopped resisting the inevitable.
I’m in no particular rush, though, I’ve still got a few hours until the absolute dead of night and I’m sure not going to check on the keys until then. I get a cheap, greasy dinner from Taco Bell and then start my shopping. I take my time, comparing options and searching for DIY enhancements on my phone.
I end up deciding to get a common dash cam. They’re small, subtle, and can be rigged to run off a battery pack pretty easily. I select an RSC Nano. This model will take an SD card for storage, up to 64 gigs, which should hold as much as 8 hours of footage if it records at 17Mbps. Most importantly it can connect to my phone through an app and allow me to download the footage from my car while parked on the street. I don’t want to risk being seen tampering with this camera each day. That download is sure to take a while, but hopefully I’ll be able to scope out a subtle area once I see the place.
Next I go to a grocery store for matches, a can of beans, and a pair of scissors sharp enough to cut metal. Thanks to my friends at YouTube I’ve learned this is all I need to make a copy of a key.
I go home and watch some television to while away the last hour. I’m not paying any attention to it, though, and I might as well just switch it off and stare at the clock. At last it reads 1 AM, the time I’ve decided it’s safe to go out.
A few long, steadying breaths, then I leave into the night.
My heart is racing faster than it did during my entire run this afternoon. My hands are clammy and I keep switching them from swinging at my sides to shoved into my pockets. Down the street, to the park, up to the bench. I reach down, grab the keys in one smooth motion, and hurriedly duck back out of the light cast by the streetlamp above.
In the darkness I peer at the key fob and can just make out the white little logos on the buttons. I place my thumb over the one to lock the car and make for the nearest row of houses. I walk down the sidewalk on one side of the street, pressing the fob button as I pass each house. Then I cross over to the other side and do the same coming back the other way. Then I move on to the next street.
To help me pass the time I start doing the math in my head. It’s taking about six minutes to do both sides of a street. Ten streets an hour. I could keep this up until four, that would cover thirty streets. Seven-and-a-half blocks. Obviously at some point I’ve got to call it quits, but at that rate I’d say two, maybe three nights at most and I could cover the entire surrounding neighborhood.
Unless they really were from out-of-town. They might have been visiting family around here, they could have been geocaching, they could have…
My heart skips a full three beats at the unmistakable chime of a car sounding from the garage nearest me. I start to walk away, then wonder if it might have been a coincidence. I push the lock button again.
My ears are buzzing from all the blood pounding through my head as I resume my walking. Still I have the presence of mind to read the number off of the mailbox: 17462. I walk faster, straining to hear any noises coming from the house. The bedrooms would have been decently removed from the garage, further than a car beep would have been heard from… Right?
To my great relief nothing stirs from the home all the while as I come to the intersection of the next street and make a sharp turn, noting the name of the road I’ve just left: Oak Lane. I resist the urge to run. Though no one else is out at this time I don’t want to risk drawing attention to myself. I do power-walk, though, winding through one turn after another as if I’m being followed. In fact I do look over my shoulder a few times, but all that’s there is my shadow.
Every extra second out here is just that much more risk, and I won’t be able to breathe fully until I am done with this night.
I glide across an intersection to my apartment building and now I allow myself a sprint up the steps to my flat. I bolt the door, lock the knob, and slide the chain. I punch 17462 Oak Lane into a text editor my phone and then pull the keys out of my pocket. Car key, house key, gym key. I grip the house key as I move over to the kitchen table where the matches, scissors, tape, and metal ends of the can of beans are already waiting.
I light a match and heat up the key, then press it into the tape, transferring a perfect image of it onto it the clear plastic. That gets laid flat against the metal from the can, and using my scissors I carefully cut out the exact same shape. I do this a second time, stacking the two copy-keys on top of each other so that they are a similar thickness to the original. I press them down on the original house key, pressing firmly with my fingers until the groove that runs down its side is transferred over as well.
There. All that’s left is to return everything back to the way it was before, to remove any cause for suspicion or fear. I pocket the keys and grab a handkerchief, then stride back out into the night. Again I power-walk the whole way to the park, and as I go I vigorously rub the keys down with the handkerchief, obliterating any trace of fingerprints on them. It’s probably an unnecessary precaution, but I intend to reduce the risk as far as I possibly can…aside, you know, from actually not following through with this plan.
I reach that fateful park bench and deposit the keys silently in the same spot where I found them. One last time I go back to the apartment complex, up the steps, through the door, lock all of the locks, and at long last I lean against the wall and let out the breath I’ve been holding all night long.
Suddenly I feel tired, exhausted even, and I leave for bed. Everything else can wait until tomorrow.
The next day I return to the park under the guise of another run. I’m excited when I see that the keys have been removed from the park bench. It could be that someone else stole them or tried to find the owners, but I like to hope that the people at 17462 Oak Lane woke up the next day, discovered they were missing, retrieved them, and believe the whole incident was brief enough that it isn’t worth changing the locks on their door. Everything depends on that, and I’d say there’s a decent chance of it being true.
After the park I take a drive around the town, slowly rolling by the home in question. I scope out the area, noting a couple of bushes belonging to the neighbor across the street. A camera could be easily hidden in there with a wide enough view to track both the front door and the garage. I also take note of the cars parked along the sides of the street. There’s enough of them that it shouldn’t stand out too much when I join them to download the footage to my phone. Finally I also peer up at the front entrance and check for a doorbell camera. There is none.
Everything is working out perfectly for me. Or, when I consider how idiotic this entire scheme is, perhaps I should say working perfectly against me. Either way, I’m back on that street at 1 AM the next night, burying my camera in the bushes.
And now the routine begins. Early every morning I drive down the street, open the camera’s app, and tell it to start recording. Late in the evening I come back and download the footage, then go home to scrub through it, taking notes of everything I see.
On the very first day I become fully acquainted with the occupants of the house. Husband, wife, two daughters. Middle class, young family. The father seems to work in some office, based off of the casual-nice fare he always wears when he leaves at 7:47-ish each weekday. A little less than an hour later the wife leaves with the two daughters in tow and wearing scrubs. Presumably she drops them off at school and then goes to work at the hospital, coming back about 3:30, with the husband following a couple hours after that.
Once again: perfect.
The house is completely vacated all day long every weekday. I verify this over a few more days, of course, but there’s never any variation. I even check the weekend footage to verify that they don’t ever come out on a walk with some invalid that’s otherwise being cooped up indoors. All clear on that front. I never catch a glimpse of a dog or a cat, either.
All I have to do is pick a day.
But is that necessary? Haven’t you already consumed them enough? There’s a lot to glean about them from the video already.
Hmm, interesting question. What of these people themselves? Who are they? What makes them tick? What are their aspirations? Why do they live here? Why do they have two kids and not more or less? Why do they drive the two old Honda Civics that they do and not something else? Why do they forget their keys at parks?… I can observe a lot of things about them, but what of them?
The two daughters appear to be about six and eight. If they were the same age you would definitely think they were twins. Both with blond hair down to their shoulders and chubby cheeks. Well-fed, well-dressed, healthy. Well-liked, too, judging from all the friends that came to visit on Saturday. Comfortable, but not so fancy as to be stuck-up. They’re probably nice girls.
The mother is, in a word, tired. She’s yawning every time she rolls out in the morning, she’s rubbing her eyes when she comes home in the afternoon. No doubt she uses those few hours at the end of the day taking care of all the housework: cooking dinner, doing laundry, cleaning, etc. Physically…she’s not really my type, but I mean we’re talking a suburban mom here, what did you expect? Still… I suppose she’s pretty in her own way.
I don’t think the father likes his office job very much. When he leaves in the morning he always procrastinates, rushing back into the house for some forgotten item until eventually he has to race out in a hurry to not be late. He appears educated and capable enough to give his family a bigger home, so I can only assume it is his lack of passion at work that is holding him back. Whenever he comes home he looks so much more alive than when he leaves, and his daughters are always bounding out the door to meet him. They’re really happy when he comes home.
That still doesn’t mean he isn’t going to leave you one day, girls.
I acknowledged last Monday that Jake is an uncomfortable person, someone who does bad things and is entirely unrepentant about it. I suggested that perhaps there was more depth to him than met the eye, though.
In this section I tried to really sow the beginnings of this idea in the reader with how little Jake actually says about himself. He is quite talkative when it comes to critiquing other people, describing their little details, and chronicling a list of events. But he absolutely refuses to ever discuss himself. In his own words that is a lot of things being said about him, but not of him.
In the first section this absence might not have stood so much. It was fast-paced, plunging right into the hacking-action, and his quick banter was well-suited for deflecting closer inspection. But the longer you stay with him the more you find it bizarre to not have heard anything meaningful about him.
This sort of absence will hopefully suggest to most people some sort of hiding, a wound that needs to be covered. The evidence of that wound is further suggested by the selective way he critiques others. Apparently he is able to be tolerant, and even kind, to little girls and women, but we’ve now seen him unnecessarily cut down two men without reason.
This element of a narrator holding back information is, of course, not a new invention. This is the famous “unreliable narrator” where the storytelling might be as flawed and inconsistent as the voice behind it. On Monday I’d like to delve into this concept more, and then we’ll get the final act of Phisherman next Thursday.