JANUARY STATS Days Writing: 18
New Words: 6,360
New Chapters: 1.5
Total Word-count: 33,297
Total Chapters: 9
January had me writing quite a bit more than in December, so that was nice. Of course my goal was to write for 22 days, and I missed four of them, so not 100% but I’ll take it. I did complete the chapter that I was working on in the middle of in December, as well as write out one more. Chapters 8 began the transition from the first act into the second, and Chapter 9 concluded that switch. It feels very good to have that part down, and be off to new things.
I have now spent three-fourths of a year diligently working on this book. It took a little bit to find my cadence, and I obviously haven’t hit every goal, but I am consistent and dependable overall. At last I really have a sense of confidence that I will complete this story, and that is a very empowering thing to feel. In the past my writing was a fling that would come and go, and I was always frustrated at my inability to finish anything. Now I know that I will get this done, even if there are momentary disruptions….
Speaking of disruptions, let’s take a look at February, shall we? Right now, my wife and I are less than 48 hours from the induction for the birth of our second child.
I have no idea what I’ll be accomplishing with this novel during the month of February. I have no idea how whether I’ll even be able to keep up with the regular postings on this blog. But I do know that when we piece back together the new normal for our family, that writing and this story will be an ongoing part of that plan.
So I won’t be making any goals for February, I’ll just get done what I get done, and I’ll give you an update on March 1st for how the month went.
DECEMBER STATS Days Writing: 7
New Words: 1,964
New Chapters: 0.5
Total Word-count: 25,907
Total Chapters: 7.5
Well, I knew that in December I was going to be limited in my work on With the Beast, and perhaps having already made that expectation it became easy to not prioritize it each day. I think I could have accomplished a bit more if I had tried, though just how much I can’t really say.
To be fair, though, it’s not as if I wasn’t writing anything during this month. I am rather proud of how I was able to maintain both this blog, and the spiritual one that I write. After doing those, and all the many other family/holiday activities, I simply found myself sapped of energy to write my novel.
And the section I am working on now definitely requires energy. I am about 25% of the way through the story and coming out of the first main transition. This is the point where we change from the first act into the second, and I am introducing the problems that will shadow the main characters from now until the very end.
Because of the narrative importance of these chapters, I have found myself writing and rewriting each passage over and over. It is slow, but it is progressing. With January I should be able to get myself firmly into the second act, and hopefully the work will pick up more quickly there. Even if it doesn’t though, that’s alright.
For this month my goal is to write during 22 days. I want to finish the chapter that I’m in the middle of, and add at least one more, maybe two. I’ll see how it goes, and will give you an update on February 1st.
NOVEMBER STATS Days Writing: 17
New Words: 6,577
New Chapters: 2
Total Word-count: 23,554
Total Chapters: 7
This was my first full month of new draft-writing material, and it felt great! This month I wrote out two chapters that have only existed in outline-form for years. It was surreal to see them suddenly become so much more full-bodied, and so exhilarating as well!
One element of writing that excites me is how familiar of a place my story has become. When I talk about my explorers in their camp, I feel like I am talking about somewhere that I am very intimately aware of. I have visited there so many times, such that I feel I know it better than many real places. Indeed the image I have for it in my mind is very specific and unchanging.
In these two new chapters I also got to write the first real inflection point of the story, the point where we shift from Act 1 into Act 2, and the real meat of the tale. I feel it might have taken a little long to get to it, its something I might try to cinch up with later passes, but for now I’m just happy to have arrived.
My goal for November was to write for 19 days, I ended up with 17. I expected 7,500 words, I was a thousand less. I did, however, manage to achieve two full chapters, which is exactly what I had hoped. December is going to be a bit different of a month. I am taking a lot of vacation plan, and have a lot of plans taking up those days. I frankly have too much uncertainty to make any sort of reasonable goals. As such I’ll simply write what I write, and then let you know at the start of the new year what it ended up being. See you then!
OCTOBER STATS Days Writing: 20
New Words: 2,671
New Chapters: 1
Total Word-count: 16,533
Total Chapters: 5
Last month I finished correcting my outline, which finally allows me to focus on advancing my first draft. As such, I am going to start these monthly updates with some statistics. I will report how many words and chapters I have added to the draft, and then what the totals for the entire draft are.
Writing 2,671 is quite low for me, I average about 475 words per day. The reason I only wrote that many was because I decided it would help switch back into my draft-writing context by reading through and polishing all four chapters of my previous work. I ended up making some extensive rewrites of those passages, which word-count I did not take the time to record. This process definitely did help me get back into the draft-writing mindset, and those 2,671 words came out pretty smoothly during the last week of the month.
There seem to be two philosophies for how one should write their novel. One is to write everything out from start to finish, and only then go back to the beginning and smooth the entire thing over. The other approach is to draft as you go, writing one chapter, smoothing it out, and only continuing to the next chapter when the first one feels right. There are pros and cons to each, but I’ve decided to take the latter approach. It will slow me down for finishing this first draft, but it will hopefully result in that draft being closer to a publishable quality.
My goal for October was to write for 22 days, I ended up with 20. Not quite on the mark, but not terrible. In November my family is taking a vacation, and so my writing will be a bit limited. I am going to shoot for 19 days in all, though I might only hit 18. I’m hoping to add about 7,500 words in that time. Come back on December 1st to see how it all turns out.
On September my goal was to work on my blog every weekday for a half hour, which would result in 20 days throughout the month. I’m pleased to report that for the first time I hit my goal exactly!
My other goal was to finish all of the outlines that I was refactoring, so that moving forward I could focus solely on the first draft of my story. I’m pleased to report that I hit that goal as well! It took 18 of the 20 days to do, but for October I am all clear to just draft. The other two days were spent rereading that draft so that I could back into the feel of it.
I do realize that taking a month just to finish an outline might sound like quite a lot. Though what I call an “outline” is probably a great deal more exhaustive than what most people think of. This outline weighs in at just over 36,000 words, and provides a very clear direction for every scene of the story!
It feels really good to have reached this point. Refactoring is important, but it feels a lot like running-in-place. A lot of energy goes in, but the word-count of your draft doesn’t go up at all. It feels a lot better when day-by-day you see the numbers moving closer to a full-fledged novel.
If I had one piece of advice from all of this it would be to avoid changing gears when writing as much as possible. I went from outlining, to drafting, back to outlining, and then back to drafting again. And at each switch there was an amount of dead time where I had to ask myself “now what was I doing here again?” Especially with something like a novel where maintaining a consistent tone is so important, leaving and coming back again needs to be kept to an absolute minimal!
I’ve always loved the month of October. The Autumn season has such a ponderous magic in the air, it seems to exhale deep story. I’m very excited to work away during this season, and look forward to giving you my next update on November 1st. My goal is to write for at least 22 days during the month. That’s every weekday except one, which I will be on vacation for. I’m not going to make any goal for how many words to write, but I will keep track of how many I do. See you then!
Some people have essences so strong that they cannot be contained within themselves. Instead bits and pieces of their soul seem to permeate into our own and change us. Charismatic leader compel us to share their vision, spiritual giants motivate us to adopt their morals, and creative artists inspire us to imitate their ideas.
This transference of the self can even occur with both parties being unaware of it. One does not have to be conscious of the fact to either influence or be influenced. In fact may times the influencing happens even when the two parties never meet, such as when an artist is not appreciated until after their own death. Though they are not present to propel their ideas, the ideas move forward on their own.
To be influenced means to have ones actions directed by another. Sometimes this takes the form of imitating the example of another. Other times it is coming to a personal interpretation of another’s work, and creating something new from that.
A New Seed)
Both forms of influence have their value, but in the case of art the second is better. Directly replicating the work of a master is ideal in moral discipleship, but in the arts we we call that plagiarism! Instead the influence of the master artist should be akin to a tree that creates a seed, which then yields a new tree that is its own creation.
Indeed, whenever I read or watch or listen to any work, one of the metrics I measure it by is whether it instigates new thoughts and ideas in me or not. An average creation might entertain me, but a powerful one will bring possibilities to my mind that I had never conceived of.
With this understanding, I would like to offer two simple definitions that encompass my entire philosophy of art.
I consider the word “art” to simply mean the expression of something new. That expression can be in any medium: word or image or sound or any other means.
I consider the word “masterpiece” to mean art that transplants its ideas into the minds of those that consume it. It imbues in the recipient the mind and feelings of the creator, and in so doing it is planting a seed in new soil that can spring up as new creations.
Of course, the burden of influence does not fall solely on the creator. The greatest symphony cannot move a heart that is dead. Transference of ideas is a mutual effort, and requires both a skilled creator and a skilled receiver.
To get the most out of a story you have to be receptive to the ideas that are coming from it. You have to have a fertile imagination, or else that seed won’t be able to grow. This fact explains why so often the greatest artists are also the greatest audience to others’ art. They take in the work of others, are deeply impacted by it, and from that germinate terrific ideas of their own.
Now our society tends to not like the idea of being “influenced.” We are wary of being duped or brainwashed, and want to assert that we can think for ourselves. This is all well and good, independence is a positive thing.
But we can take it too far and turn it into a sort of fashion: suppressing any thought or feeling that we feel might have originated in another person. Of course if one feels compelled by society’s trends to maintain an image of not being influenced…one is living a humorous oxymoron.
The better balance is to have one’s independence, one’s capacity to think for oneself, and then intentionally choose the influences one will derive inspiration from. Reject those that are shallow, choose the ones that are worthy, and then drink deeply.
And choose a set of varied sources. Though inspiration comes to us in separate streams our minds are wonderfully designed to combine those individual ideas into one. One of the brain’s core functions is to discover connections, even where no connection was originally intended. Stirring pieces of classical music can therefore be combined with scenes of film and television to great effect, even though that application never occurred to the composers when they wrote them.
Many of our new creations are nothing more than this marrying of separate ideas into one, each half unoriginal, but the fusion being entirely novel. That was my pattern most recently with Once Among the Clouds.
That story has two origins. The first took place when I was reading comic books as a boy. I had an issue of Spider-man, the one where he first meets the Sandman. I was fascinated by how that villain’s form was so fluid. He could reform himself at will, change his density, and grow and shrink as well.
It was an interesting idea in and of itself, but it wasn’t fully fertilized until I made an unexpected connection to it another day, about a decade later, when I was serving a mission in South America. I was in the country of Guyana, which happens to be an incredibly flat piece of land. Not only that, but the country also happens to border the Atlantic Ocean. These combine to provide some of the most stunning cloud formations I have ever seen. They appeared like billowing mountains, stretching from one horizon to the next, constantly combining and dividing with one another at will.
And one day I looked at those clouds and I made the random association of how they were like that fluid character Sandman. And then I started thinking of entire armies of fluid cloud-beings, wrestling for sovereignty in the sky. Which, to my knowledge, is an entirely original invention, though derived from two unoriginal sources.
So, in summary, I believe one of the sacred elements of creativity is the way it inspires the same in others. It is a self-perpetuating power, one that ripples through all of humanity. Out from one source, across us all, and then back again, like one species-wide heartbeat.
I believe that everyone has the power to be creative. Perhaps some are born with more of an inclination for it than others, but in the end it is merely a muscle which anyone can exercise. If one wishes to do so, they may begin just by looking for beauty in the creations all about them. See what works resonate with you, what new ideas come to mind from them, and let them move you to make your own.
For August I said I wanted to work on the blog each day, but at the very least wanted to reach 20 days. When all was said and done, I finished the month with 19. It really hurt to get so close but not quite make it. More positively, though, for the last two-and-a-half weeks I faithfully did my writing on every single weekday.
As I’ve thought things over, trying to work on my story during the weekend just doesn’t work for me. Perhaps it does for some people, but for me it doesn’t. Moving forward I accept that I will only be working on this Monday-Friday and not on holidays. That means for the month of September a “perfect” work-month would be 20 days, and that is going to be my commitment.
Before describing what I accomplished during August, I need to explain a little bit of how I craft a story. I personally like to use three levels of detail for my outlines. The first is just an extremely brief set of bullet points, one for each major arc of the story. It reads a lot like an elevator pitch.
When I have that first layer feeling just right, then I move on to the second. For that I expand each of those arcs and now detail all of their subcomponents. So in the first layer I might say the explorers make a camp out in the wild and test different crops to see which one the island can produce best. In the second layer I add that during this period Clara grows more bold, at least until she breaks her mother’s brooch and becomes weighed down with guilt…etc.
In the third layer I am detailing out all of the individual scenes that will happen. I explain who will be present, what their motivations in that moment are, and what the resolutions will be. After the third layer is complete all that remains is to start writing the actual drafts of the story.
I like this approach, but one issue with having three separate layers is keeping them in sync. Last month I shared how I had remolded the middle of my story after discovering significant structure changes that it needed. That remolding was done on the third, most detailed level, which changed it so drastically that then I could not find how to attach it back to the final act as described by layers 1 and 2.
After struggling for a little bit, I realized that for August’s work I just needed to take this structural overhaul down to layer 1, and rework the ending at that simplest level of detail. Then I percolated those changes up to layer 2, and brought it to completion as well. In August I got both of those done, and also started updating the final act of the third layer. My hope for September is to finish that update, and finally get back to the first draft of my story. I’ll let you know how it turned out one month from now!