Raise the Black Sun: Part Six

photo of golden cogwheel on black background
Photo by Miguel Á. Padriñán on Pexels.com

 

Part One
Part Two
Part Three
Part Four
Part Five

My companions and I could tell that we had finally come to the heart of the matter and we leaned in close as our host continued to unveil the secrets of his order.

“It was years before our ancestors discovered the value of the sacrifices,” the man said. “As with everything else, the births and deaths of our people were already regulated by the turning of the wheel. That much was known.

“But about this time they began to branch their experiments into geology, and it did not take them long to unearth the Slab Altar. Of course, back then that was not its name. To them it appeared to be nothing more than a sheet of unnaturally black rock, upon which nothing ever grew. This was curious enough, though, and the more they explored its qualities, the more they found to pique their curiosity.

“For example, the tool has not been made that can so much as scratch its surface. Not even the great powers of time and erosion seem to have any effect upon it, it remains forever unchanged. For another, animals avoid it at every cost. Even ants will laboriously crawl around its perimeter rather than set foot upon it. And an ant, or any other creature, that is dropped upon its surface will instantly die and shrivel into literal nothingness. For a third, the Mind of the Wheel manifests most powerfully when standing near to or upon the surface. And finally, it is actually not a ‘slab.’ It was partially unearthed, and what we see of it now is the head of a very long and shaft of rock, thrust down through the earth at an angle, extending an estimated three thousand feet before it break out the cliff wall and come into the presence of the Void. Of course we have never dug that full distance, but it so unique of a stone that we are convinced it runs the full depth.

“As I have mentioned before, you have already felt the Mind before, when you all perceived in unison that your companions had perished under a purpose, but not necessarily for something. Go and stand upon the Slab Altar and your feelings will become all the more unified. Stay there long enough and your very actions will cease to be your own. You will start to move in trances, tracing intricate footpaths around its edges, making strange hand signs in the air.”

“We know something of this,” Bayhu spoke up, then proceeded to explain the Job Mind which steered every Treksman through their deliveries.

“Is that so?!” our host’s eyes went wide. “Thank you for telling me this. I was unaware of such things. I am convinced in some way this ‘Job Mind’ is itself a manifestation of the Wheel. If we were not already at The End, I would request my order to analyze the matter further.”

“At the end of what?” I asked.

The End,” he said solemnly. “The End of all sacrifices. And tell me, were you aware that the first of all sacrifices began after a caravan, such as yours, delivered scrying sticks to the Coventry, just as you have done now? Many generations ago.”

“Scrying sticks?” Nanth wrinkled his brow. “No one has called them that for years, it’sjust an old superstition! They are but dried bracken, a simple fuel for burning.”

“But of course,” the man smiled. “For the populations have long since moved away from their old homes here at the Outer Reach. Oh yes, did you not know? Once this entire field was dotted with villages. Here, at the only place that scrying sticks can truly function. As the settlements left this place, the sticks would have lost their animation, being too far removed from the Wheel’s Mind. You have assumed myth of the truths that you moved from.”

“You mean…they really can show you the future out here?” Nanth asked in awe.

“What? No! Is that what your legends say? Ha, you’ve adulterated the truth as well as forgotten it! No, nothing so dramatic as that. Scrying sticks do not tell you anything…but they suggest very much. The forms that they take are an enigma, a puzzle that still has to be worked out before anything of meaning can be divined. They merely point you in the right direction.”

“And they…pointed towards sacrifices on the Slab Altar?” Ro’Kano guessed.

“They pointed towards cycles and patterns, some figures that our ancestors had already seen replicated in their experiments of the Void, some which were new to them, and answered to phenomena that would not be identified until centuries later. But the greatest truth shown by the scrying sticks was that all of these patterns directly followed upon one another. For each figure they wrote was inscribed within the others, and all in an interlaced pattern. It all combined in one great, round shape, from which our ancestors invented the name of “the Wheel.” It was clear the meaning of those figures and the picture: each cog is related. Our lives, our deaths…all of it…all are cogs bringing about one final revolution. Our coming and going, our working and sleeping, our children being born, our dying, it was all for something. The scrying sticks indicated a point at the head of the Wheel where every cycle strikes at the same moment. A point where everything comes into perfect alignment. Or rather…it showed it almost.”

Our host paused, for he had been speaking very quickly and had to regain his breath. As soon as possible he continued.

“There was a gap in the picture made by the sticks, a great chasm down the center, a tall shaft where nothing sat. And its shape was not random, our ancestors recognized the very top of it: it answered perfectly to the ratios of that mysterious slab of black rock that penetrated down into the Void. All the other cycles worked around it, but that shaft had to be filled for all their revolutions to be made complete.”

“Filled?” I asked, already sensing dread for the answer.

“The ancestors had already learned before…by a grave misfortune…that though the slab could not be cut by any tool, there was one essence that could permeate into it.”

“Human blood,” we all said in unison and he nodded.

“The shaft must be filled. The world depends on it. Our world is one of systems, those systems must emanate from the Void, for they are strongest around it. The purpose of those systems is to reach the great culmination where all come into perfect harmony. But that harmony cannot actually resonate unless the one gap in the system is filled. If the harmony does not occur, then the systems will break. They cannot restart unless they complete. And if the systems break, then surely everything that is a part of them will be destroyed…and that includes all of humanity. And so you see…the gap must be filled. And it must be filled by willing souls. The one place where the Mind of the Wheel does not compel us, we must compel ourselves. It is poetic, is it not, that in the one shaft where the system provides freedom, we must chain ourselves so to the work?”

It was a long while before any of us spoke, but at last I ventured the thought that I believe was in all of our minds then.

“But…what if not? Forgive me, but I see a great deal of conjecture, not conclusion. It could be that your ancestors saw the patterns that they wanted to see, interpreted the things that they were already looking for.”

Our host smiled, but it was pained. “As outsiders, you are not under our stricter laws, and it is well for you. For were you a citizen, you would now be executed for heresy. I am sure you did not consider it, but you sow the seeds that would break the cycle and doom us all, the greatest offense that any man can do. No, no, you needn’t apologize, as I said, you are new to our ways, and so leniency is to be expected. And…of course what you say is a natural thought to have. Of course it is. I do not blame you for it. Just as there is a gap in the cycles, there is a gap in the knowledge. It is not written out in black and white. Some of these things are technically only supposed. There are unknowns.

“But, my dear boy, this is not faith, this is science. We have the numbers, we follow the patterns and they work. We make our sacrifices without fail. Every hundred there is a tremor from the heart of the Void. Every ten thousand there is a tremor and a flash of light. Every hundred thousand is tremor, flash, and the inkling of something coming into view. Every million…and the Black Sun starts to emerge, only for a moment, but you can feel its gravity crackling. Any uncertainty of our course is answered by the effectiveness of it. And if you do not believe me now, ask yourself again tomorrow, and then the next, for already you are starting to think as we are. You will find yourself more and more convinced, just as all the rest of us, that this is the only way forward. You will feel the spirit of this place and know that this is the only right thing to do. You will share the mind of us all.”

And, of a truth, when I had suggested that the conclusions drawn by these people might be amiss, I had already felt a twinge in myself for doing so. For when he had first explained those conclusions, there was a part in me that resonated to his chorus. It was that same part that had felt a doomed fate ever since we first set out on this journey. It was a sense that this work must be done. Yes it was dire, yes it was dark, yes it was sure to culminate in something terrible…yet even so it must be. The machine could not be stopped. I could recognize that plain as day. It had to go on.

Even if for evil.

Our visit soon drew to a close. Our host concluded by explaining to us what we had already supposed: over all these generations the people of this covnetry had nearly filled the tally of the Slab Altar, nearly performed the requisite number of sacrifices to make every other set of numbers and cycles work out properly, and had done so on schedule, so as to coincide the final sacrifice with the great point of culmination.

Our dried bracken (or scrying sticks) had been sent for to make confirmation of this fact. And then, when everything was verified, the great completion of the cycles would occur three days from now, and the Black Sun would be raised from its depths to usher in the new era.

And with that he bid us farewell and sent us to retire for the day. Of course, one might wonder how our minds could rest after all these thoughts and revelations that had been awoken in them? The end of the world was upon us, what had we to do with sleep?

Yet somehow sleep we did. Fatigue injected into our veins and brought us into the same cadence of sleep which was our regular enjoyment every night that we remained at the Coventry. No doubt, this was also one of the regulated systems that our host had told us about.

The next day we had no discussion of leaving from that place. If the locals were right, then three day’s journey would hardly remove us from the cosmic events about to transpire. And if they were wrong–but, well, we had little suspicion that they were.

So there was nothing for it but to remain and bear witness to all that followed. We ambled across the streets for a time, having no clear intention for where we would go or what we would see. We parted company without a word, trailing down our own private alleys and corridors.

Except for that where I went, Ro’Kano never left my side. No matter which path I took, he followed, and whenever I asked what way he would like us to go he simply responded “oh, I don’t mind. Whichever way you’re headed.”

Well, of course I presently found myself headed to the back courtyard, where the Slab Altar rested, ready to receive its daily fill of life. And as Ro’Kano and I approached the place, we made note of each of my companions also hidden about in various nooks and alcoves.

The altar truly was a geological marvel. Pure black all across, without the slightest variation in color or shade over the whole surface. Indeed, if not for the light reflecting upon it, I would have thought it was as empty as the Void that lurked just beyond the wall.

That reflecting light presented an interesting phenomenon of its own. For at most times the Altar reflected almost no light at all, it had only two faint glimmers slowly crawling its perimeter edge on opposite sides. It took them about three minutes to each travel the half of the circle to where the other glimmer had originated, and then they expanded suddenly, swooping across the entire surface in a single, blinding glare. Then the light retracted back into those two faint points, and they began crawling around the perimeter once more.

But enough of that. No doubt you would rather hear what I have to say of the sacrifices themselves.

Part Seven
Part Eight
Part Nine
Part Ten
Part Eleven

 

I spoke on Monday about how I was letting this story run pretty loose with where it wanted to go and for how long it wanted to be there. Surely that couldn’t be any more evident than in this conversation continued from the last section, where the Treksmen learn the history of the Coventry, and did so for over three thousand words!

It is funny to remember the stories I wrote as a teenager, where I could not make a moment last for even a paragraph. Events that were meant to be grand and sweeping would expire within a single page, simply because I couldn’t think of anything more to say. I certainly don’t have that problem now!

I know that this last conversation has run on for quite a long while, but it was a very important discussion, a hinge point that answers so many of the questions from before, and also raises all the new questions to be addressed by the rest of the story. I honestly felt that I could not force it through any more quickly, for to do so would have been to break the tension of the entire work.

That is an interesting idea right there: the tension of the entire work. We often speak of the “style” of a story, or its themes, or its voice, or its perspective…but I believe that all of these words are trying to get at the same thing, which none of them capture it in its entirety. On Monday I spoke about a story having “wants,” and that too hints at this “tension of the work.”

Another way to express it might be that a story has a character. Not the main character, or any other individual within the tale, but that the story itself has a personality. And the best stories have a strong one, and they remain consistent to it until the end.

Perhaps this is all a bit much, so let’s pause for now, and we’ll return next Monday to hash it out more fully. Come back after the weekend for that, and then on Thursday we’ll continue the plot of Raise the Black Sun.

Instructions Not Included: Part Two


Gavin had a hard time paying attention in school the next day. He had wanted to check his fly trap first thing in the morning, but knew it would have been miserable to start his experiments and then leave them unfinished.

He only half listened to the teachers in class. In his notebook he kept scrawling different ideas of things to try with a fly, complete with a flowchart of what test should follow which results. At the very top he had “Put fly in tube, see if it just dies right away.” If it did that was the end of the flowchart, so he hoped to at least get further than that. Next was to observe if it tried to fly, and if so whether its wings were able to beat. If so, were they able to move it. Even a little bit? If he wedged a stick inside of the tube and the floating fly came near would it grab the stick and move along it? What if he blew a fan through the tube? Would it be able to push the things? Or what if–

“Gavin, are you paying attention?”

“Yes.” Very close attention…just to other things.

That afternoon Gavin dashed through his front door, the mason jar already clutched in his hand. He bounded up the steps to his room, turning sideways to avoid knocking over his mother. “Hi! Back from school. It was fine, nothing to say about it. I’ll be in my room, okay?”

He bolted into his room and took his seat at the desk. Taking a few calming breaths he carefully removed the saran wrap from the jar and placed one of the strange tubes over its opening. There were three flies buzzing above the sugar-water at the bottom of the jar, and Gavin watched breathlessly as one of them buzzed closer and closer to the tube. It decided to stop to rest right at the lip of the jar. Gavin frowned and tapped twice on the glass. The fly darted into the tube…and froze.

Gavin put the saran wrap back over the jar and picked up the tube, peering through its center. As soon as the fly had crossed the threshold into its domain it had gone completely lifeless, not so much as beating a wing as it floated through empty space. Curiously, though, it had not curled its legs to its body. It really was frozen as if in a singular moment of time, its legs still extended and wings still raised. Was it dead then? Or just frozen?

Gavin reached in, curled his fingers around the fly, then drew his hand back out. Immediately he felt the creature buzzing against his palm. He extended his hand back in, the buzzing still continued, but once he opened his fingers the fly snapped back to its frozen state and floated listlessly.

“Well that’s interesting,” he muttered, pulling over his notebook and jotting down the results of the test.

So the fly couldn’t move. Could it think? Was it aware that it was motionless and confused about that? Or was it unconscious while in the void? He couldn’t think of a good way to test that.

So instead Gavin went through a few more experiments. It turned out that wedging a stick between the walls of the tube did not give the fly a way to escape floating. In fact, it couldn’t because the fly never touched it. The path it floated along would always push away from the stick whenever it got too close, just like how it did when avoiding the walls. Apparently the stick, being in direct contact with the wall, was now an extension of the wall. Gavin hadn’t expected that, given it was comprised of an entirely different material.

That suggested another experiment to Gavin. He reached in, cupped his hand around the fly, drew it out and listened for its buzzing, then put his hand back in the tube and opened it. But this time, as he did so, he pressed the fly against the wall of the tube, rather than dropping it into open space. This time the fly did not freeze. It crawled across the surface, moving at a constant high speed, and making sudden direction changes as if drawing out a pattern. It looked nothing like how Gavin had ever seen a fly move. Also it never flew. It never did anything to risk losing constant contact with the surface, even when Gavin poked at it with the end of his pencil.

Gavin introduced the other flies one at a time to the tube, all with the same results. If released into the air they became immobile and floated, if pressed against the tube wall they danced out strange patterns on its surface.

Next came water. Gavin angled the tube downwards and slowly tipped the mason jar  until the water ran out of it. When only the first part of the water stream entered the tube it continued to fall as normal, but once the last drop was contained within the tube it lost its connection to the outside world and suddenly froze. It behaved like videos Gavin had seen of astronauts playing with liquids in a Zero-G environment. The water stream didn’t break apart, it just shimmered as one, long, snaking body in the middle of the tube. As with everything else, it began zigzagging from wall to wall, never touching them, never slowing in its ordered dance. As expected it never touched the stick or the flies as well. It did not act entirely as a single body, though. For example when it neared the stick it would sometimes split into two streams that would go around it. Sometimes those streams would rejoin, other times they would break off into their own entities. Once the two streams were completely separated they would never join again, they would each follow different patterns that seemed forever destined to to never intersect again.

“But how long could you really go without touching?” Gavin wondered aloud. He picked up the tube and walked with it to the bathroom. What if he tried to put more water into the tube than it could keep separated?

He turned the sink on and filled up a cup with water, then poured it into the tube. The stream floated around inside, continuing to split when it approached the stick head-on, continuing to avoid any contact other water streams. He filled up the cup and poured it in again. And again.

He couldn’t want to hold the tube directly under the faucet, because then it would be an unbroken stream of water that extended out of the tube’s confines. It was a very strange feeling, pouring cup after cup into the tube and not a single drop spilling out from the bottom. A faint inkling occurred to him that the physical properties of this tube went against everything he’d learned in school, and would therefore be of significance to other people…but at least for now he wanted to keep it only to himself.

As Gavin continued entering cupfuls of water the threads of water begin to divide and shrink to such a degree that they looked like tendrils of glass, each as thin as a spider’s thread. They criss-crossed and filled the space so completely that they almost appeared to be one volume. Yet still he could see the tiny glints that betrayed their separate edges, and knew that the threads still refused to touch.

Finally he reached the moment he’d waited for. As he poured in one more cup the water began to spill over and flow down the edges of the tube. The tube could not accept anymore volume without merging its streams of water, and so it rejected any further material.

Well, that was that then. Now Gavin wanted to get the water out and verify that not even a drop of it all had touched the flies or stick either. As he couldn’t pour the water out he would just have to scoop it the same way he had put it in. He grabbed the cup and began the long process. A vague thought occurred to him that the flies had probably died even if the water hadn’t touched them. He doubted the gaps between the water streams would have been able to hold enough oxygen to sustain them.

The thought then occurred to him that the flies had probably had just as little control on the edges of the tube as they had floating in the air. Their movement had been extremely similar to the floating movement, just projected onto the surface. It was the same pattern! He supposed that meant if he covered the walls with flies they would dance around and never touch? If he put a spider in with them would it just ignore all of the free food? He could–

Gavin had reduced the amount of water so that he had a clear view inside of the tube again. He had been waiting to see the flies, but now he realized they weren’t in there anymore! Neither was the stick. There were instead four black marks smeared across the inside of the tube in their place. Had they been crushed by all the water? But why?

Gavin turned the tube over in his hands, angling it so that the bathroom light shone more clearly on one of those dark smudges. No…it wasn’t just squashed fly guts there. It was something pure and shiny black, like tar. Although as he looked closer he saw it actually wasn’t a single goo, it was a thousand tiny strings, like millimeter-long strands of hair. And they were mobile, doing a sort of a waving gesture where they folded at their midpoint and then stood erect again.

Three flies, a stick, and a liter of water had gone in…these things were what came back out. The tube must have broken everything else down to create this. But what exactly were they? Tiny little strings of…organic sludge?

Gavin walked back to his bedroom and put the tube back on his desk. Then he strode back out with a purpose. The rest of the afternoon Gavin collected anything small and interesting he could find around the house and the alley outside, then he brought them back to his room. A few ice cubes, some small rocks, a piece of brick, ants and beetles, apple juice, a jug of water, rubbing alcohol, small pieces of glass, plastic, an old rag, a cigarette butt, a ping pong ball, bread, a strip of wood, some small weeds, a few metal screws, and a handful of dirt. He lined all the items up on his desk, right in front of his “islands.”

He pulled out his notebook and wrote down Tube #1. This was the one he had already been experimenting with. He wanted to continue to work with this one, following the same sort of structure it had already been on. Water and living tissue. He placed the beetles against the inner surface of the tube and released them to perform their erratic dances. The ants he dropped in the middle to float around. He added the weeds to this one as well, and finally filled it up with water. Done.

Tube #2. For this one he wanted to experiment with the natural materials. He put the ice in it, the small rocks, the strip of wood, and the dirt. Finally he added in the apple juice to fill up the rest of the space.

Tube #3. Here he would try the more synthetic things. The brick piece, the glass, a corner of the rag, the cigarette butt, the ping pong ball, the bread, and the metal screws. Then he poured in the alcohol. He had selected this particular tube because it was smaller, small enough that he didn’t need a whole liter of the alcohol to fill it up.

Of course some of the things had been too dense for the tubes to handle. The metal screws, the piece of brick, the rocks, and the glass. They had each just fallen to the bottom and stayed there. When he shook the tubes those pieces slid around and even fell out of the tube if tipped too far. Curiously, they were completely absent any residue of alcohol or water or anything else when they emerged. Still, the stick wedged into the tube yesterday had been similarly dense and it had decomposed, so perhaps that didn’t matter.

In any case, now there was nothing to do but call it a night and wait for tomorrow. It would be hard to be patient, but at least tomorrow was the weekend.

***

Monday I wrote about how I chose in this story to emulate some of the patterns in Shane Carruth’s stories. Most specifically I made use of a person applying scientific methodology to understanding something fantastic. Gavin is obviously an intelligent boy, but his lack of experience prevents him from fully realizing just how significant some of his simple discoveries are, such as the tube’s ability to completely untether its contents from gravity.

Sometimes when reading a story it can be aggravating for the audience to be stuck with a main character that understands less than the reader. Other times the main character will know more than the audience, and that can be frustrating as well. Other times, though, differences in understanding between characters and readers can be immensely satisfying. On Thursday I’d like to delve deeper into how an author disperses knowledge in unequal measures, and how it can be done either poorly or well. I’ll see you then!