Tag: son

The Last Duty

photo of shed surrounded by tall trees
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“I am surprised that anyone would come to look for me in my little abode, I’m a man of little consequence.” The old hermit bumbled through his cupboards, looking for a second cup to pour some tea into. It was not an easy task, for he was not in the habit of keeping company in his humble home.

“That’s not true,” the wanderer smiled lightly. He pulled the heavy gloves off of his hands, and then fumbled with the strap around his chest, loosening it so that he could sit more comfortably. “Every man has his circle of influence.”

The hermit paused to look up at the water leaking down from above. The dried longleaf that thatched his roof had been sliding apart for years, leaving whole patches open to the starry sky.

“Well my circle leaks,” he said. “What does that tell you about my influence?”

“That you don’t mind the rain,” the wanderer’s grin widened.

“Oh so smart,” the hermit muttered under his breath. “Got an answer for everything.” Finally he produced two chipped, wooden mugs and a pot. He placed them on the small table, in the center of the one-room hut. He poured the tea and offered the drink to the wanderer who took it with thanks. It was very weak tea, essentially hot water with only the faintest traces of anything else. Indeed the strongest flavor was what seeped into it from the wood of the cup. The wanderer did not seem to mind.

“At least you have a home,” the wanderer said after a few moment’s silence. “I did once…perhaps one day I will again. But for now I remain a wanderer.”

“But there must be something that you wander for?”

“Yes,” the warrior nodded. “I do have a purpose.”

“Well I don’t have that. I would happily trade you home for purpose if my old bones were up to it.”

“Once you must have had one.”

“That’s private,” the hermit said sourly.

“No,” the wanderer said, still smiling in spite of his host’s prickliness. “No man’s purpose is a secret, because all men’s purpose is the same.”

“To their children,” the hermit had a tear in his eye.

“The very same.”

“Do you have children then, wanderer?”

“Of a sort…once. Do you?”

“I did. Once. Why do you say ‘of a sort.'”

“Well I had a people, and they were my children.”

“Ah.”

“I provided for their needs, I gave them instruction, I protected them from evil. And though it pained me to do so, I have journeyed away from them when necessary…. To do for them what is necessary. Was I not a father, then?”

“I suppose. Though why are you not still?”

“I lead them no longer. Another does. But why are you not still a father? Surely the duty of a father extends past all things, even beyond the grave?”

“The grave, yes. But no, not all things–” the hermit looked down into his cup, anxious to escape the question. “You mentioned duty. And of a truth, you named many. But you never did mention how you…disciplined them.”

“Ah yes, the last duty, the one every father hopes to avoid. We all wish that by doing the others so well, we will have no need for that last. Is it not so?”

The hermit nodded gravely.

“Well, there was punishment from time to time in our little community. I gave to them their laws, after all, so I had to enforce them. Never was I cruel, though. Our punishments were chosen together. Five lashes for stealing bread, a night in the stocks for disorderly behavior, we all agreed that these were fair.”

The wanderer took a sip, then continued.

“It seemed enough. It encouraged them to choose their better natures. All were committed to the prosperity of one another, and it was only the occasional stray moment that needed to be curtailed…” the way the wanderer’s voice trailed off was telling.

“And yet?”

“And yet something changed. Something. A monster, a demon, a–a something took their hearts and corrupted them. For the first time we had men who would cheat one another for their own advancement. Women who would falsely accuse one another to take their place. And still it got worse.”

The wanderer’s hands were shaking now. He set down the cup for fear of dropping it.

“I wouldn’t have believed it possible,” he continued, “but they even began to hurt one another for the pure pleasure of it. They had nothing to gain by it at all, they just wanted to see the other bleed.”

The wanderer paused again, and for a minute the hermit did not press him. But at last he couldn’t hold his peace.

“You said it was…something that turned them?”

“It was a man. The scourge of all these lands now. Surely even you have heard of him…”

“Azdenik,” the hermit did not speak the name so much as mouth it. “I know of the man.”

“And yet not a man. There is a dark magic in him, I have never seen one so able to seduce the innocent. Even I was enchanted with him when first he arrived in our village. And such promises he offers. You know of them?”

“Not promises,” the hermit shook his head darkly. “Exchanges. Little pieces of the soul you must give him…but he does not tell you that.”

“No, he does not. When at first he offered his little trinkets to us, his little charms and totems, we thought he was making a joke. How could his little idols make our fields double in yield, our clothes shine with greater luster, or our luck run more sweetly? How could such a clever, charismatic man expect us to believe such fantasies?”

“And yet?”

“And yet my people took them. They winked at his stories in public, but in the dead of night they came to his door and crept back to their homes with his wares. I knew it was happening. Everyone did. Even then it gave me great unease. But I could not explain why, and so I felt I had no right to intervene.”

“And your people began prospering?”

“Yes. I told myself it was just a coincidence. That this man came and then my peoples’ crops began yielding more and more each week, who could believe the two were connected? But the crops were only increasing in the homes of the most naive and gullible, the very same ones I knew would have taken Azdenik’s offer. Eventually more and more of my people started seeing increases in their farms, and so I knew that even the more practical were beginning to be swayed. If he had stayed much longer, everyone would have had one of his totems.”

“But he didn’t stay?”

“No, that was his greatest trick of all. You see if everyone had gotten one of the totems there would have been on a level playing field. By leaving early he put a rift in our town. Now those that prospered had an unfair advantage. They started spending more lavishly, and all the shopkeepers raised prices so that they could share in the wealth, too. Of course that left all the farmers who didn’t have a totem out in the cold. Suddenly they were paupers, and not because of a lack of industry. Those people started to grow bitter. Bitter feelings became bitter thoughts. Bitter thoughts turned into bitter words. Bitter words incited bitter actions.”

“What did you do?”

“We had our laws still, and I enforced them. But they were no longer of any effect. Discipline only works when it awakens a man’s innate desire to do good, and it doesn’t accomplish anything to put a scornful man in the stocks.”

The hermit nodded, as though he understood something of this. “And then it’s easy to come down harder and harder on them. If they won’t awaken to remorse, perhaps they will to fear…”

“Aye. And then you aren’t their loving, guiding father anymore. You’re their vengeful taskmaster and they hate you for it.”

“Yes, you are not their father anymore,” the hermit nodded sadly. “The duties of the father can extend through the grave. But through hell?”

“Surely there must be something a father can do for a child even then,” the wanderer fought down his despair. “Do you not think so?”

“I don’t know what.”

“There must be. I know that there must be!”

“If you say so.”

A few moments of dark silence passed between the two, then the wanderer continued with his sorry tale.

“I only saw how complete my failure was when Azdenik returned. I could see in his eyes that he knew what had happened in his absence. He had counted on it. We were but a husk of the charming village when first he visited. He offered the survivors to join his band, to drink more fully from the power of his totems and follow him in conquest.

“I begged my people not to go. Reasoned with them, pleaded with them. Threatened them! But Azdenik was their father now, not me. They left me, every single one of them left me. Gone to break the innocence of other lands, gone to kill and plunder, gone and made me a wanderer without a home.”

“Terrible,” the hermit shook his head. “just terrible. Although…you said you had a purpose in your wandering?”

“Yes, to do my last duty to my children.”

The wanderer’s voice grew dark and very cold. He reached out and took another long, slow sip from his tea. “My children lost their innocence,” he whispered, “and I quest to reclaim it.”

“You–still think to save them?”

“All are innocent at birth. And all are innocent in the grave.”

“Oh,” the hermit groaned, and shook his head at the heaviness of that pronouncement. “Why have you come here, grim man?”

“I raised one army after another, eight times!” the wanderer stood upright and clenched his fists.  “Each one I spent against Azdenik and his people–my people–and each time I alone crawled away from the bloody defeat. Now I know of a certainty that there is no breaking Azdenik so long as he holds those cursed totems!”

“Why have you come?” the hermit wept, holding his shaking head in his hands. “Why have you come?”

“To do what you would not, weak man!” the wanderer spat.

“Leave me!”

The wanderer turned rabid. He grabbed the hermit by the front of his frock, and pulled him up to his feet.

“Tell me what I need to know!” he snarled through clenched teeth. “Azdenik must have a weakness!”

“I don’t know, I don’t know…”

“No lies!” He threw the hermit against the wall, and the old man crumpled into a sobbing heap on the floor. The wanderer leaped on him, turned him over, and struck him across the face. “Tell me!”

“I c-can’t. I don’t know. It’s not right…”

“It is the only right that is left!”

“Why do you trouble me? Why should I know these things?”

“No man knows another like a father knows his child!”

“I have no child!” the hermit wailed. “Azdenik isn’t my son! My son was Geoffrey Braithwaite!”

“Yes. Good, good,” the wanderer’s eyes glinted and he panted like a predator closing in on his prey. “And you know how to kill Geoffrey Braithwaite.”

“No.”

“Yes you do!” He struck him again, then leaned in hungrily. “You do not wish to, but you do know what his weakness is. He must have one, and you know it. You can tell me how to kill him, and you know that when I do the monster he became will die as well. Don’t do it for me, old man, do it for your son. Do your last duty to him…. Let me give Geoffrey rest.”

Streams of tears ran down the hermit’s face. His mouth stood agape in silent wailing. “I never knew it would go so far,” he sobbed. “I should have smothered him when I could.”

“I will. I’ll do it for you. Tell me how. You know!”

Several moments.

“Alright…I’ll tell you.”

 

As I said on Monday, my entire intention with this story was to show a character that does what he has to, even though he feels condemned by that action. It’s not like this was ever going to end in a positive place!

At the start of this story the hermit seems innocent enough. He is polite, has basically good desires, and a few of his comments suggest that he has a strong sense of duty. This seems well and fine, but as we press towards the end we realize that there came in his life a moment of conflict between his good desires and his duty. He wished for the well-being of his wayward son (a good desire), and because of it denied an obligation to destroy him (his sense of duty). This crossing of the lines is even hinted at with a subtle line of dialogue: “it is the only right that is left.”

In the end he is persuaded, or perhaps we should say forced, to finally choose duty over child. Now let me make abundantly clear, this is not a resolution that I intend for the audience to be wholly on board with. My expectation is that the audience will be taken aback, and then call into question the logic with which the story concludes.

As I suggested on Monday, a story like this is intended to divide readers. Some of them might finally conclude that the hermit should never have relented, and some will say that he should. Some may say that he already failed long ago just by letting his son go astray. Some may say that that couldn’t have been helped.

Whatever conclusion a reader settles on, they will understand their own selves better for having made that determination. That is the entire point of a story like this: to dissatisfy the audience into a self-affirming decision.

This story does not end with an answer, only with a question. Namely, to what extent is a man responsible for what he has created? This has long been a query of literature, extending back as far as Frankenstein’s monster and even Oedipus. Come back next week when we’ll look more closely at this idea of a character’s responsibility. I’ll see you there on Monday.

Does What He Must

ancient antique art black and white
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“A man doesn’t do what he can. He does what he must.”

Those were the last words my father said to me before he left to fight in the great Civil War. He meant them by way of explaining why it was he had to go and leave our little farm and family, to fight for a cause he believed in.

It was the last time he said those words to me, but it was not the first. How he came by them, I do not know. For a man who lived as large as he, I would not be surprised to learn that he came up with them himself. In any case, they were his mantra all his days, a creed that he exemplified many times over.

My father showed the makings of a legend early in life, as early as the age of thirteen when he stood down old Hal Ritcher.

Hal Ritcher was the local drunk, a mean and spiteful man who led a life of profound disappointment and then punished all that were littler than him because of it. He was a particular nuisance to the children, and one day they caught his ire by playing too loudly in a nearby barn while he was trying to sleep off a hangover. He rushed out at them, brandishing a stick and screaming and cussing like the devil himself! He swore he’d see blood for their impertinence, then grabbed hold of the nearest one of them he could, poor, little Belle Sue.

Well my father wasn’t going to stand by to see her lashed, so he stepped forward and shouted at Hal Ritcher. Hal let her go and charged at my father with raised first. My father raised his own and in a flash laid Hal out flat with a single blow to the chin.

Now as I said my father was only thirteen years at the time, but all the children there said his blow rang like a hammer on an anvil! They wouldn’t have believed it possible if they hadn’t witnessed it with their own eyes.

“What did you hit him with?” one asked in awe.

“Just my hand.”

“But I didn’t think you could hit so hard.”

“Well neither did I. But I had to so I guess I just did. That’s how it is as a man, you know.”

“But you’re not a man, James,” Belle Sue frowned.

To which my father tossed the hair out of his eyes and grinned broadly at Hal Ritcher’s horizontal form. “Ain’t I, though?”

Five years later, when my father was eighteen, he attended a social party put on by the local cattle baron. After a great amount of coercion he had finally removed Belle Sue from the rest of the young men and was trying convince her to give him a kiss when a horrible shriek sounded from the fields.

One of the cattle hands had been giving the young children turns riding on his horse, when something spooked the critter and away it rushed with a small boy clinging on its back for dear life.

“Oh he’ll be killed!” a woman shrieked and a few of the ladies fainted straight away. Meanwhile the men bumbled about uselessly, calling for horses and ropes and all manner of things that wouldn’t arrive until it was much too late.

Not my father, though. He bounded out with steely determination, cutting through the property to the corner of the road where the bronco was sure to pass, reaching that junction at just the same moment as the steed. Somehow he leapt above its flashing hooves and threw his arm around its neck. Then he hauled down, running the creature’s head into the dust as he grabbed the poor boy off its back with his other hand.

I can only imagine the amazement that must have been on everyone’s face when my father came walking out of the cloud of dirt, the boy waving happily on his shoulder and the horse following sheepishly after.

“How’d you think to do that?” one of the cattle hands asked.

“I dunno,” my father said modestly. “I guess I just had to is all.”

Even Belle Sue threw up her hands in not-so-disappointed defeat. “Well, James, you’re a hero, now I supposed I’ll have to kiss you.” And she did just that.

That Belle Sue was quite a playful one, and I suppose you might have guessed already that the two of them got married. It was a long time before she relented and she led him on quite the chase, though she never had eyes for anyone else. The story of how they finally came together begins one day when a whole crowd of young men were gathered round her feet.

“When you going to stop playing your games and marry one of us?” they asked her.

“When I feel like it, I suppose,” she shrugged. “Seems you boys aren’t doing much to make me feel inclined that way, though.”

“Boys?!”

“Yes boys. And so I say until one of you proves your worth.”

“But how?”

“Hmmm…Oh I know! Haven’t any of you noticed that great, big lily growing on top of Heaven’s Peak? Now that’s the sort of flower a girl would love a man for! Honestly I can’t believe one of you hasn’t fetched it for me already, I’d say that I must have it.”

“On Heaven’s Peak?! That’s thirty feet of rock shooting straight up into the sky! Now how do you expect anyone to get up there to pick you a flower?”

“I’m sure I don’t know, I suppose only a man could manage it.”

Well that crowd of boys went away grumbling and she giggled to herself, never expecting anything to come of that conversation. But she hadn’t accounted for my father when he heard tell of what she said. Why he just walked away alone that same afternoon and came back before dark with that flower for her. Then the two of them had a quiet little conversation together in the gazebo, and when they came back they announced their engagement!

All my days growing up I heard her pester him to know how he had scaled that rock, but he never told his secret. He only ever said: “You said you must have it, so I had to get it.”

It was a happy home my siblings and I grew up in, at least for the first years while father was still there. I was only six when he left, as I said, to war. And as you might imagine, he quickly became a bona fide hero there, too. Soon he was made a Second Lieutenant and led a platoon of thirty men.

I met several of those men in the years after, and each told how when he first received his station he sat down with those men and promised that not a one of them would die on his watch. Though it might seem incredible, he delivered on that promise too, though they found themselves in many the tight spot during the war.

He managed that feat partly by his excellent training and marshaling of the men, and partly by taking on the most dangerous roles for himself, such as when they made their retreats and he would linger in the back to give the Johnny Rebs a target of his own hide to shoot at.

It was at one such retreat that they found themselves in a most dire strait. Their commanding officer had required them to dig their ditch with a cliff wall at their backs. When the bugle sounded retreat they knew they were all dead men. Though the wall could be scaled, it would be a slow process, and there was no chance that they would have it cleared before the enemy rushed into their trenches and picked them off like flies.

Well they all looked to my father in despair, but he just grit his teeth and said they all better get climbing then. One of them protested, said it would be better to die fighting than take such grim chances. My father swore again that not a one of them would die that day, except perhaps himself.

“C’mon now, Lieutenant,” one of them protested, “a slim chance is better than none. We’ll all run and see which one or two of us is lucky enough to escape. Not even you can hold back such a tide!”

“Maybe I can’t,” my father replied, “and yet I must.”

He ordered his men to retreat one last time, then stood at the lip of their ditch to welcome the enemy. As his men scrambled up the rock they heard the whooping and hollering of the foxes come for their prey. Though there was all manner of gunfire not a one of my father’s boys took a serious shot. Every now and again one of them would turn to see what went on below, and they saw my father bounding back and forth, cutting down the cowards who dared to aim at the backs of his men.

One man saw how my father took a shot himself, but still he went on. Another witnessed how he was skewered by a bayonet, but still he fought. A third said four men tackled him to the ground, but up he rose from their midst. Not a one of them saw exactly how or when he fell, but he must have at some point, though not until after his men were all safely away from that place.

And that was the last anyone knew of my father. Anyone but me.

While I wish I could say that I followed in his footsteps my whole life long, the truth is that growing up without him was hard. We lost our farm and home, we scrimped and scrounged our way through the rest of my childhood, and somewhere along the way I grew disheartened. I decided I had to find an easier way, a shortcut to happiness.

In short I fell in with some bad men, ones who weaned me off of the straight-and-narrow path that my mother had so painstakingly taught me to follow. At first it was drink, then gambling, then getting into fights in back alleys. I remember the day they brought me along for my first robbery. A part of me wondered how I had ever come to this, another part answered it had been coming for a long while now.

My posse promised it would be a quick holdup. No one was going to get hurt, and there was no chance of running into the law. Both of those statements were lies, for no sooner did our heist begin than it turned sideways. The man we were trying to rob resisted us, and the leader of our group, a fiery, short-tempered man, shot him dead on the spot. My shock didn’t even have a chance to set in before we heard the whole town erupting all around us. We tried to get out of there, but the law swept around on all sides and chased us towards a solitary barn.

I was the first to make the entrance, and as I turned to hold the door open for the rest of my gang I found that not a one of them still stood. Some were already laying dead in the street, the others were quickly getting that way. So I bolted that door shut and lay on the ground, trembling like a leaf.

“Hey you come out of there!” the Sheriff roared. ” And with your hands held high! I’ll give you thirty seconds to get sense and then we’ll unload on you!”

“I’ll fight them off,” I muttered, cocking my six-shooter. “Or I’ll grab a horse and escape. I’ll set fire to this barn and sneak out in the smoke. I’ll never let them take me alive–”

“Son.”

I turned in surprise, though I knew the voice so well that it did not frighten me. Standing at the end of a trough I saw my father, looking exactly the same as the day he rode out to war. He was viewing me with a sort of aching love, as if it hurt him to see me this way.

“Pa…what are you doing here?”

“Son, what are you?”

My face broke and I cried like the six-year-old I was when I lost him. “I’ve lost my way, Pa. I don’t know when or how, but I’m ashamed for you to see me like this.”

“I ain’t ashamed to see you, son. But you have done wrong, and it’s time to turn yourself in.”

“I can’t do it,” I gulped. “Once they brand me a thief and a killer that’s it! Even if they don’t hang me I’ll never escape the shadow of what I already done. I’m all alone now.”

My father nodded understandingly, but his face was firm. “You are alone, so long as you keep on this path you’ve been on. But if you turn son, if you turn right now, I’ll be in it. I promise.”

“…I would if I could. But I can’t.”

“A man doesn’t do what he can. He does what he must.”

Well that was that.

I took a few stabilizing breaths, then stood and took a few more.

“Alright, I’m coming out!” I shouted, throwing my gun out the window where the lawmen could see. I turned to look one last time at my father, and I almost asked how he was even able to be here like this. But then, I already knew his answer to that.

Raising up my hands, I walked out into the sun.

 

As I stated on Monday, my purpose with this was to create a piece that blended the elements of principle and example. I wanted it to be one part allegory, with archetypes that represented a core idea, and one part realism, with characters who were relatable.

Obviously the character of “the father” was a larger-than-life allegory. He is a flat character, one that is intended to only channel one personality trait: confidence. He always comes through, there’s nothing he can’t accomplish, he always knows exactly what to do and say.

The son, meanwhile, is a little more in-between. It wouldn’t be fair to say that he is entirely lifelike, as we simply do not have enough time with him to get a fully fleshed-out personality from him. Even so, in the short time that we do hear from him, he still shows a wide range emotions, including reverence, bitterness, fear, shame, and redemption.

His comment towards the end about how hard it was for him to live without a father is meant to jolt the reader out of the rose-tinted fairy tale and into a more somber reality. It’s meant to suggest that the idealized story of his father is nothing more than the perspective of a six-year-old boy who still believes his father could do no wrong. A perspective that he has maintained for the man who sired him, but lost for himself.

And that, ultimately, was the crux of my idea in marrying these two different perspectives. By laying them side-by-side and even having them overlap I meant to explore the way our view of the world changes as we age and mature. In some ways I believe our love for fairy tales is nothing more than a nostalgic longing for the simplicity of our childhood minds.

As I wrote this piece I realized I was writing “father” a lot, and reached a point where I thought someone ought to call the man by his name. It was at that point that I decided to add a little quirk to the story, something to give it personality. Do you know what I am referring to? I’ll talk a little bit more about it on Monday, as well as how to add indirect personality to stories and characters in general. I’ll see you then, and in the meantime have a wonderful weekend!

Just a Little Diametric Opposition

Yin_yang

Lately I’ve discovered a new favorite food condiment. It’s pepper jam. The combination of sweet and spicy, two flavors that usually stand in contrast to one another, is a very arresting experience. Each side of this pairing has to be kept in just the right balance, though, otherwise one side overwhelms the other and ruins the effect.

And just what is that effect? What is it about contrasting tastes that captivates our fascination and pleasure? To answer this I consider the wisdom of our friend Ishmael, in Moby Dick. “To enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more.”

If ever I eat something sweet, and nothing but sweet, soon enough the sweetness of it will be lost on me and the food becomes disinteresting. But when I eat something with contrast, let’s say a salted caramel, then I am constantly experiencing both the salt and the sweet at the same moment. I cannot become over-saturated with either because the other keeps it fresh and novel. By entertaining two tastes at once I am able to longer appreciate the depths of each.

This same principle holds true for writing as well. If we present our themes and characters to the audience and they are all very similar to one another, the reader will quickly become over-saturated and the work will feel flat. But by allowing multiple contrasting elements to occupy the same page the story will become textured and interesting. Over the last month I’ve been trying to do just that, writing stories that walked two lines at once, and with each story I tried to capture a different facet of contrast in writing.

To begin with I posted The Last Grasshopper, which dealt heavily with themes of birth and death, old and new. However the piece was meant to challenge the idea that these elements are actually the opposites we initially think them to be. These themes were presented against a backdrop of seasons changing continuously from one to another and then back again, suggesting that birth and death are not dichotomous from one another, but may actually be two points along a continuous spectrum. A spectrum that, in fact, cycles back on itself, meaning that neither of these two states is able to exist without the other.

In this way I was trying to echo an idea from one of my favorite stories of all time: L’homme qui Plantait des Arbres (The Man Who Planted Trees). In this tale we meet an old man who has spent his entire life planting seeds in a stark and barren wasteland. Over the course of years and then decades, an entire half century in all, this man sees his life work accumulate in massive and lush forests, an entire transformation of the surrounding climate, and a joy of life restored to the locals who live in that region. The situation at the beginning of the tale and at the end seem to belong to completely opposite worlds, and yet they occupy the same geographic space. The tale suggests that barrenness and lushness exist on the same continuum as one another, in fact they define the continuum, and traversal along it would not be possible without the presence of both. And that traversal is negotiated simply by the amount of steady, continual cultivation we are willing to commit to.

That challenge of continual good effort was examined more closely in my next story. Cursed presented a father and a son who both loved one another, and yet had a terrible rift due to their contrasting priorities. The father was trying to relieve the son of a moral burden, but prematurely, before the son was able to naturally overcome his own failings. The result was necessary conflict. They cannot avoid one another, they are father and son, but they cannot see eye-to-eye and so there is opposition. I meant for this to be a reflection of life experience, where we strive for good, but by necessity live a world with constant opposition to that good. We cannot simply divorce ourselves from all the evil, we just have to try to wrest something good out of an eternal battle.

I find a very similar sort of message in the John Steinbeck novella Of Mice and Men. Here we have men who hope. Though they have been beaten down before in life yet they must still hope because that is human nature. However there is no reason to assume that their hopes will be realized, and in the face of increasing opposition we start to feel that their “hopes” are actually only “wishes,” ones for which there will be no granting. The story ends tragically, a somber end that does not rest in the greener fields that were hoped for. Or does it? At the very end the story hints that the contrast of evil and good may find their roots both in the world around us and the world that awaits after death. Perhaps here wishes get crushed, only to be granted afterwards.

That idea of solutions that come outside of the box was something I wanted to explore in my third story. In A Minute at a Time we again meet a father and son at odds with one another. It seems, again, that neither can find relief except for at the expense of the other. But then they relinquish their goals for a moment of honest vulnerability. They commiserate together and realize that at their core all they really need is one another. I meant to suggest that opposites can be resolved, and perhaps that resolution comes at a cost of letting them go.

Of course overcoming opposition at a cost is a very common theme to stories. Perhaps the evil of the world can be defeated, but what sacrifices are you willing to pay to accomplish that feat? The video game Alan Wake provided a meta commentary on this. In that story the titular character finds a dark story manifesting itself into the real world, establishing a plot of wanton destruction. As a writer, he is trying to redirect the arc of that story, a feat that was previously attempted unsuccessfully by a poet, Thomas Zane. As Alan Wake explains, Thomas Zane failed because he tried to rewrite the ending of the story to be bright and cheerful at no cost. As Alan says: “There’s light, and there’s darkness. Cause and effect. There’s guilt and there’s atonement. But the scales always need to balance. Everything has a price. That’s where Zane had gone wrong. There’s a long journey through the night back into the light.” He writes a new ending, one where his objective is obtained, but only at great cost, the loss of himself. The story accepts this offering, and thus ends things on a bittersweet note.

At this point I felt that things had gotten quite heavy. What’s more I didn’t want to suggest that this war of opposition had to always be so grim and unpleasant. The fact is most of us actively enjoy doing sacrificing for another’s happiness. And we often find that we have guidance and help in our long journeys of self improvement. Gifts from Daniel Bronn…and Jerry was meant to capture that more cheerful side of contrasts. Daniel is happy and kind, Jerry is jaded and reserved. Now in the first half of the story these two sides have been shown as being in opposition to one another. In fact that first half ends with Jerry planning to terminate his own employment to get away from the friction he is feeling.

Next week I’ll be completing that story, and in that second half we will see that like salt and caramel, the Daniel and Jerry can combine for something greater. Daniel, with his wealth and compassion, will provide the means for the charitable contributions. Jerry, with his experience on the rougher side of life, will be able to deliver the gifts with a needed dose of empathy and understanding. They’ll still be two very different men at the end, but that won’t be putting them in opposition any more. This is actually a theme I’ve explored before on this blog, in one of my very first stories: Scars and Soothing.

Hopefully this series of stories has sufficiently illustrated the infinite possibilities of mixing and matching flavors in your story-telling. Keep your stories interesting by putting them at odds with themselves. Give them tensions by establishing fundamental opposition. Give them nuance by suggesting those contrasts may not actually be so opposed to one another as originally believed.

I’ll see you next Thursday with the end of Gifts From Daniel Bronn…and Jerry. After that we’ll be finished with this bittersweet series, and on to something entirely new. I’m excited to see with you what the new year will bring!